Sunday, May 23, 2010

Asleep in the back

I was sitting in a parking lot today with my two year old asleep in the back seat, thinking about the events of the morning that had just passed by, this morning that was done and over with and would never ever happen again, except I wasn’t just thinking about the stuff that had happened so much as I was recounting the whole thing in the voice of my father, words that he fictionally spoke to me years and years ago describing this particular morning that, in my imagination, he knew would come and that he wanted me to be prepared for.

Son, one day you'll find yourself sitting in your car in a parking lot somewhere, motor running, music playing real low, baby asleep in the back, writing a blogpost on your phone about the events of that very morning while waiting for a call from your wife (on that very phone, mind you!) telling you to come and pick her and your eldest child up from the birthday party they’ve been attending, the same party that you and the little boy currently asleep in your back seat would be at if the poor little fellow hadn’t yakked on your shoulder as soon as you got him out of the car at the park where the party was being held. You’ll have been driving around for a while, having intended to go home and wait for the call there, except the little guy will have faded off to sleep as soon as you got him back in the car, and you probably won’t feel like risking a carseat to bed transfer. Those are always iffy, believe you me.

See? Utterly ridiculous, not to mention all over the place tense-wise. I don’t think my father stuck around quite long enough to know nearly this much about parenting, and I doubt he ever knew what a blog was, much less that you could write on one from a phone. In spite of all that, he rambles on:

And you’ll be sitting there in that parking lot, writing your post on your phone, intending it to just be a quick one, when suddenly you’ll detect a bit of motion to your rear. You’ll turn around in your seat and there will be your little boy, eyes open, looking around trying to figure out where the hell he is. It’s a weird feeling, you see, falling asleep in one place and waking up in another. Disconcerting. But he won’t be entirely awake, no sir. He’ll still have that sleepy aura about him, enough so that you’ll get to thinking “Maybe I can get the little bastard back to sleep.”

Little bastard? Real nice, dad.

So you’ll fire up your engine and throw her in gear, and off you’ll go, driving towards nowhere in particular, just trying to keep it moving so as to maybe lull the boy back to sleep. You’ll check your rearview every thirty seconds or so. You might get a yawn or two out of him. His eyes will fade a bit, but they won’t quite close. And after a while, you’ll have to accept that it ain’t happening. But hey, when that day comes, at least be glad he got a nap in, short though it may be. From there, you might as well head to Hooter’s. 

Ah, so now we’re getting into the advice portion.

Yep, you’ll have been driving around for a bit and you’ll be wondering just what the hell you should do at this point. Your wife should be calling any time now, so no point in going home. My advice to you would be to just pull into a parking lot, any parking lot will do, how about this Hooter’s parking lot? You’ll maybe want to give your wife a call and say, hey, howsabout’s we come pick y’all up now?

And that’s what I did. We stopped by the party for a bit, long enough for me to down a couple of hot dogs and some cake, then we piled in the car and headed home. I don’t know if it was the sugar or the sun or what, but eldest had more energy than any carseat can be expected to fully contain. His mouth was spewing a constant stream of high volume noise that sounded something like aaaaaJIOPUIKJKKKK{{{{{(*(*IMBIG!(*@(*!!!!!!+++==++=+++++___-___-_-_---000))09089087876981732u`oiu[oik’l;.ra,.,d/SldjPSfjKLDJIRAAAAHHSPIDERMANCAKE!!!HH!!!!UUJIU908u897498uqjoiejakj89087*&^&**%$KICKYOU@!@#$%^&*()(UhjnIJ*&^TYGHJ*&(&)%%%%%+amp;^RFVY%$#EDFJKLP:
 

What you’ll want to do when that happens, son--
 

 I got it dad! Shut up! I turned in my seat and shouted “HEY HENRY GUESS WHAT?!?!”
 

“What?”
 

And then there was only the silence of a question waiting for its answer. Because I know the most famous answer to “guess what?” but I just wasn’t sure that I really wanted to, you know, introduce this into our lives. I put the question to my wife. "Should I?"
 

She shrugged. “Sure.”
 

“HEY HENRY, GUESS WHAT?!?!!”
 

“WHAT?!??!”
 

“CHICKEN BUTT!”
 

And oh how the car did howl with laughter. We proceeded from there with the obvious line of followup questions, guess why, guess where, guess who, guess how, all of which met with appropriate answers and the screams of children who have just heard the funniest shit ever. Those boys definitely learned something today.
 

On this last matter, my father was silent.

Sunday, May 16, 2010

The Adventures of Cadaver Arm

“Oh, it’s Cadaver Arm!”

It’s my wife talking. We’re laying in bed, our bedside lamps still on. The arm she’s referring to is my left one, which she nicknamed Cadaver Arm because of my habit of draping it over her like it’s a hunk of dead weight that happens to be hinged to my shoulder. It’s my own personal take on cuddling. Lazy, passive, a pain in the ass and loving all at the same time. It's the kind of pet name I can support. Kind of weird, not particularly cute. Even a bit morbid.

My two year old’s crying woke me up one night, as happens from time to time. I got out of bed, turned down the baby monitor so my wife could sleep, and made my way toward his room. I was shuffling through the living room when I kicked something and nearly tripped over. I’m usually really good about clearing the path before I go to bed because I know there’s a decent chance I’ll be walking it in the dark in a half-asleep state in just a few hours. It’s a habit I developed after stepping on way too many toy trains and stubbing my toe on the goddamn ottoman more times than can possibly be good for one’s sanity. I slid my foot around the floor trying to locate the offending obstacle and kick it out of the way. But before I could find it, I noticed something: my arm was missing.

That was the first time Cadaver Arm set out on his own.

I thought at first that maybe I was dreaming. After all, I had made myself a bit of a nuisance to the Dream Boss a while back. Maybe he was having some fun with me. Plus, the fact that I have his sister tattooed to that shoulder struck me as being a bit more than coincidence.

But it turned out to not be a dream. Or if it is, I’m still dreaming it, and me sitting here writing is all part of it, and any moment now I’ll wake up in a puddle of my own drool and all this imagery will spill out of my memory, leaving me with nothing more than a few vague notions about this dream that I think I might have had, maybe.

Standing there in the dark living room, I bent down and picked Cadaver Arm up with my right. I was surprised -- oddly pleased, actually -- how heavy he was. I was holding him at the shoulder end, so I expected the forearm to hang limp at the elbow, but it didn’t. He held himself upright, as if there were eyes in his hand that he was using to look at me. I had no idea what to do with him, but lucky for me, he took the initiative and jumped into his proper place on the left side of my trunk. I could feel everything reattaching, the bones, sinews, blood vessels, nerve endings, skin, all the way up to my head and all the way down to my toes. It took maybe all of three seconds. Dude, shudder

His name is obviously a misnomer, seeing as how Cadaver Arm is very much alive. He’s attached to me. He, er, it is mine. Actually, I’m not sure how to address Cadaver Arm pronoun-wise. “It” throws a kind of Addams Family vibe upon its/his being, but I’m not sure if gender applies to body parts when they’re running around all disembodied like.

The next time it happened, I woke up laying on my left side. I could tell right away that Cadaver Arm was missing because my head was sunk deeper into the pillow than usual. I was so tired, I thought about just going back to sleep and not worrying about it until morning. But not knowing the whereabouts of one's arm makes sleep a bit hard to accomplish. I climbed out of bed and grabbed my phone to use as a flashlight. It took me all of two seconds to locate him. He was curled up with our dog, Elliott. Elli had one paw draped over Cadaver Arm, who in turn had his hand over Elli’s other paw. They were both sound asleep. It was such a cute picture, I left them there and went back to bed, where I laid down on my right side and fell back to sleep. BIG MISTAKE. When I woke up the next morning, Cadaver Arm was laying next to me in the bed, waiting for me to roll off of my left side so he could reattach. He reeked of dog. But even worse, as soon as he rejoined my body, I felt an instant sensation of gross. Cadaver Arm was covered in dog slobber! He’d even gotten it all over the sheets. I was pissed at him and the dog all morning, and believe me when I tell you, it’s an odd feeling being pissed off at a part of your body as if it’s a separate entity.

After this started happening, I got worried that Cadaver Arm might try functioning independently while he was attached to me. It’s bad enough that he takes off on his own while I’m asleep. It would be quite another issue to have him, I don’t know, reach up and punch somebody without my directive. Or grope somebody. Oh dear god. So far, that hasn’t happened. Apologies in advance if you get punched or groped. If it was my left, it was Cadaver Arm. After all, I am not left handed. 

There have been a few more episodes since then. On separate occasions, I’ve found Cadaver Arm cuddled up in bed with my kids, a sight which is both creepy and sweet, but ultimately hard to argue with since he seems to be able to help them stay asleep. I guess he’s good with the wee folk. Several times, I've found him doing pull-ups on the shower curtain rod. I once found him building a train track on the train table in my four-year old’s room. His progress was a bit slow since he only has one hand, but he seemed to manage. It got to where I didn’t even worry about it anymore. Sometimes I would wake up and he’d be attached, other times he wasn’t and I would just slip right back to sleep.

One night, I was awakened by a series of three sharp piercing beeps. I thought it was a smoke alarm at first. Cadaver Arm was missing. I walked out of our bedroom and heard the three beeps again. I realized what it was and headed towards the kitchen. See, we have one of those fancy refrigerators that beeps at you if you leave the door open for too long. Sometimes it’s helpful, but most of the time it’s an annoyance. “Okay! Okay! Give me a minute!” I find myself shrieking at the fridge damn near every time I have to put away groceries.

I walked into the kitchen to find the refrigerator doors wide open and most of its contents spread out on the counter. Well not all of its contents, exactly. Just certain things. Jars. Cans. Tupperware. Twist-tops. Flip-tops. Bottles. Containers. And nearly all of them were open. When I had gone to bed, I had left three perfectly good, perfectly unopened bottles of Sierra Nevada Torpedo sitting serenely in the fridge. But here they were on the counter, two of them with their tops pried off, and Cadaver Arm working on the third. I grabbed the bottle opener out of his, er, my hand.

“What the hell are you doing?” I shout-whispered. He felt around for the bottle opener for a moment, as if he had dropped it. Then he turned his hand toward me. He seemed to consider for a moment, then laid down on the counter. I swear he sighed. He looked as sheepish as a disembodied appendage possibly can.

“Dude, seriously, what the fuck?” I wonder how many times that phrase has been uttered, how many questions it has been used to ask.

Cadaver Arm picked up the top to a jar of jelly and screwed it back on. Then the same for the mayonnaise, then the salsa. He flipped closed the lid on the syrup, twisted the mustard shut, snapped the lids back onto several pieces of tupperware.

“Dude, were you....” It seemed a ridiculous thing to ask, but it was the only thing that made sense. “...bored?” He tensed a bit, the tension of one who's been found out and is embarrassed about it. I sensed that even if he could talk, he probably wouldn’t. He just wanted to clean up the mess he had made and be done with it. I started putting the closed containers back in the fridge to help him out. Pretty soon, everything was back in its right place except for the open beers. Well shit, I thought. Now I have to stay up and drink these.

I put the two open bottles into the six-pack carton. They were still cold and would stay that way long enough for me to down them. Cadaver Arm and I made our way through the dark house to the front room, which serves as a combination library and playroom. I took a seat in the easy chair while Cadaver Arm went about stacking up the brightly colored toy bricks that spend most of their time scattered across the floor. I didn’t bother turning on the lamp. 

“Now you have to be quiet” I told him. “And as soon as I finish these, we’re going back to bed. Both of us.”

The next day was a Saturday. I awoke to the sounds of wide-awake children barely able to contain their excitement at the prospect of a whole new day of life. I draped my arm over her. “Oh good morning Cadaver Arm” she mumbled.

“Yeah,” I said through a mouthful of morning breath. “About that name...”

Monday, May 10, 2010

We Are Not For Them

I've been trying to spend more of my free time doing this writing thing, trying to bring some closure to some things I've been working on, get some other things started, keep some of my longer term plans going so they don't stall out like so many projects before them. I've even succeeded here and there. Some of it may end up on this site, some over at DadCentric. The rest of it, uh, won't. In the meantime, here's a cool video for a cool song by one of my favorite new-to-me artists. It seems to kind of say it all.

Wednesday, April 21, 2010

Fat Cigars and Bass Guitars

One morning not too long ago, on the way to drop my kids at daycare, I was waiting at a red light when what should pass before me but a perfectly fine excellent example of a quintessential old man. He navigated his shiny gold Chrysler slowly through the intersection. Funny, though it was a newer model, it still seemed to float with the boatlike grace of a much older vehicle. Fedora on his head, suit on his back, big fat cigar nestled between a smile that told me there just had to be music in that car. Something big-bandy and jazzy. 

After dropping the boys off, I found myself waiting at yet another red light because that’s just the kind of luck I have. Walking through a parking lot next to me was a boy of about  sixteen. He wore those tight jeans that all the kids are so fond of these days and a Batman tee-shirt of the style that was so popular around the time that Tim Burton’s take on the Caped Crusader hit theaters. But the detail most compelling about this lad was the black bass guitar he carried. He had it slung over his shoulder as if it were a literal axe. No case, no amp, just the instrument itself, as if he’d just gotten his hands on it, perhaps borrowed or purchased after scrimping and saving for months so he could finally take that first step from just listening to music to making it. I hoped he wasn’t headed to a pawn shop.

I saved an entire summer to buy my first guitar. I know it sounds like a fucking Bryan Adams song, but it’s true. It was a black Ibanez and it had a whammy bar. Nobody should die without striking a power chord at least once in their life.

Have you ever had a thought just pop into your head? Of course you have. I might as well ask if you’ve ever farted at an inopportune moment. As I pulled away from that intersection, it occurred to me, “I bet that kid is that old guy’s grandson.” Why in the world I thought it, why it should be so, I can’t tell you. But I liked the idea. I liked the thought of this cigar-chomping old man and his teenage grandson riding around in that gold Chrysler, each trying to impress upon the other an appreciation for the music that they loved. Like maybe after a few of Benny Goodman’s greatest hits, the old fellow would let the boy pop in his band’s CD. And even if it’s not his cup of tea, which of course it won’t be because nothing compares to the music of one’s youth, the old man will glow with pride that his grandchild is doing his part to organize sound and noise into something recognizable as music.

It’s true, no music touches us as deeply as the music of our formative years. All the same, I hate it when people bitch that there hasn’t been any good music created in X number of years where X = Bitching Person’s Current Age - Bitching Person’s Most Recent Formative Age (typically somewhere between 18 and 23). 

The old man pulls up to a house, the house of his grandson’s friend, the friend whose dad has a bunch of old musical equipment in the garage that he lets the kids use, even though he hates their sound. They sit for a moment, letting the song finish. The old man has softened a bit with age, and finds it easier to express to his grandson the kind of praise that he wishes he had lauded more freely upon his own children. He was always proud of them, sure, but for whatever reason, he was never able to muster the kind of enthusiasm for his children’s pursuits that he feels for this boy’s first foray into making music. The boy gets his bass out of the back seat and goes to band practice smelling like cigar smoke.

At least that’s the way I imagined it.

Sunday, April 11, 2010

How You Do It*

How you do it* is this: you start off by getting one of those big-ass inflatable bouncy castles--no wait, strike that. Even better, you let somebody else get one of those big-ass inflatable bouncy castles that all the kids love so much. You let ‘em blow that fucker up in their yard, and then (and only then!) you and a bunch of other parental types head over there, kiddos in tow. Upon arrival, you all point your kiddos at the big-ass inflatable bouncy castle and say “GO! GO! GO!” They’ll do exactly as you say. Relish it.
I know all this to be true because this is exactly what we did one weekend not too long ago when we went to a birthday party for our friends Tim and Julie’s four year old. Tim and Julie being the aforementioned acquirers of the aforementioned big-ass inflatable bouncy castle.

With the kids safely ensconced in their bouncy paradise, gather the parents around for adult conversation. Not adult as in XXX, though if the topic comes up, feel free. The ears of the children are too full of joy and laughter to pick up any naughty bits.

Then cake, then presents, then more bouncing. It helps if there are robots. It helps  even more if the robots are princesses. Robot-princesses, people. All of these factors contribute. This is how you do it*.

Don’t be too afraid to let the kids have at it whole-heartedly on the cake. Keeping the bounce alive will suck their energy like a hospital stay on a bank account. Like the hip-hop kids say, belee-dat.

Then home and naps and maybe some boring stuff like yard work that’s not really worth writing about other than as an explanation for why you weren’t doing non-boring stuff. Count down the minutes until you can escape on the date you have planned with your beloved. Grandma is in town, which equals night out. That’s how it’s* done.

Count down to date night in T-minus three, two, one....

DO go to a sushi place that looks like a total hole in the wall, but gets excellent reviews.

DO gorge yourself on sushi and realize that those reviewers were right.

DO enjoy the company and conversation of your beautiful beloved.

DO enjoy the special pieces of sushi sent compliments of the chef.

DO pay for your meal with a debit card, which is how, I’m guessing a high percentage of people are doing it these days.

DO find it strange when the receipt that they ask you to sign has no line to include a tip. In hindsight, I realize that I should perhaps have waited for the dude to come back and asked him to re-ring it with tip included, but what can I say? I got hit with a bad case of proper restaurant etiquette anxiety and panicked. Yeah, don’t do that.

DO not go back there again for a while.

DO make a note to bring cash next time, even though you shouldn’t have to because fuck carrying cash.

This next part gets complicated, so stay with me. Because for the rest of the evening, everywhere you go, you need to keep running into friends, both those you expect to see and those that you don’t. Like when you’re driving down the road to the theater and you spot some friends of yours sitting outside at the taco joint? And when you join them for a beer and you spot another friend from college that you haven’t seen in fucking years? This isn’t amateur stuff, folks. Say hello. Gush about how glad you are to see each other.

From there, head to the theater where you’ll watch a show that consists of improvised comedy about the end of the world.
 If at all possible, have your wife be the one selected from the audience to spin the big wheel that will decide how the world ends. Flesh-eating virus? World war? Ice age? No, don’t let the wheel land on any of those. Have it land on the wild card so that she, and only she may choose the form in which the destroyer shall come. She can choose anything she likes, but if she’s doing it right, she’ll choose killer comet. From this point forward, your wife and Ray Stantz will share a bizarre understanding that the rest of us can only guess about. I tried to think of the most harmless thing...



After a hilarious show, chat with the director. He will bring you the baby-walker toy that he and his wife were borrowing from you but don’t need anymore because their kid is walking now. You don’t have to be the oldest person there, but be sure that you’re the only person there with baby-related paraphernalia on your person. Laugh about it.

FOR PROFESSIONALS ONLY: Go to a bar. Go to a good bar with good beer. Go to a good bar with good beer where a bunch of your friends are gathered for a birthday celebration. Go to a good bar with good beer where a bunch of your friends are gathered for a birthday celebration only to find that a whole other group of friends that you haven’t seen in ages are also gathered. Enjoy hugs and handshakes all around. Enjoy multiple beers, but wake up without a hangover.

“Wow, that seemed really cheap.” your wife will say upon reflection of the bar tab.

To which you respond, “That’s because the waitress totally wanted me.”

“Oh really?” your wife will say.

“Totally.” you tell her. “I’m surprised you didn’t notice. Every time I ordered a beer, she looked directly at me.” Make your aw-yeah face.

That is how you do it*.




*Any given Saturday.

Thursday, April 08, 2010

A Song For Grandma

A hospital room. An old woman lies unconscious in the bed. She’s attached to a whole variety of machines that beep and chirp and whoosh and buzz. It’s just her on stage for a bit, long enough to establish the rhythm of these machines helping to keep her alive. 

The door opens and
Mama walks in, followed by her two sons, Lance and Chris. They are both in their early 20’s. Lance wears military fatigues and his hair is buzzed Marine length. He carries an acoustic guitar. Chris is dressed in ill-fitting khakis and a polo shirt that bears the emblem of the shitty retail establishment where he works his shitty job. He even has a shitty little nametag. He carries a small portable stereo. Lance and Chris are both a bit emotional at the sight of the old woman in the bed. They kneel at her side. 

MAMA
Now she’s unconscious, but the doctor says she can still hear you.

Pause. Lance and Chris struggle with tears.

MAMA
Well go on, say something to her.

The boys look at each other.

LANCE
You first, dude.

CHRIS
          Works up nerve
Grandma? It’s me, your Chrissy.

Lance chuckles. Chris smacks him.

CHRIS
Me and Lance came to see you.

LANCE
I came from Iraq.

CHRIS
Shut up, dude! Damn. Always interrupting.
          Turns back to Grandma, starts to speak, but can’t. Smacks Lance again.
Damn dude, you made me forget what I was gonna say!

LANCE
I didn’t make you do nothing.

CHRIS
Dumb jarhead.

LANCE
At least I got in.

Chris smacks him hard, Lance smacks back, a smack fight ensues, a continuation of the same smack fight that they’ve had going since they were little boys.

MAMA
Boys!

They stop.
MAMA
I swear, what is the matter with you two? If y’all can’t behave for Grandma, then by God, you might as well just go on home. Honestly. Now Chris, you’ve had your chance to speak, why don’t you let your brother take a turn?

LANCE
I don’t know what to say.

MAMA
Just say whatever you would say to her normally.

LANCE
But she ain’t normal.

MAMA
Well just pretend she is. Just.....here.

Mama adjusts Grandma’s bed, her pillows, and her head so that she’s facing towards the boys. But of course, her eyes are still closed. Both boys are freaked out. 
MAMA
There now, just pretend like she’s got her eyes open and y’all are having a little visit.

Lance clearly does not like this. He opens his mouth to speak, but nothing comes out. He babbles for a few moments, then breaks down in tears. Chris is too freaked out to even make fun of his brother for crying. 

MAMA
Oh for heaven’s sakes! You can go halfway around the world to get shot at by a bunch of Muslims but you can’t even talk to your grandma without turning into a big baby.

LANCE
She’s not right!

Chris is also crying now.

MAMA
Well it ain't doing her a damn bit of good having you two come in here and bawl like a couple of babies. Good lord. Now pull it together, the both of you. Chris, why don’t you tell your grandma something nice that you remember about her?

CHRIS
Uh, well, uh....

LANCE
Fig newtons.

CHRIS
Fig newtons!

LANCE
In that glass cookie jar up on the counter in her kitchen.

CHRIS
Next to the T.V.

LANCE
And she kept that old step stool right there next to it.

CHRIS
So we could reach ‘em when we were little. Damn, I don’t even like Fig Newtons, but I ate a ton of ‘em every time we were over there.

LANCE
Me neither. They only tasted good at Grandma’s house.

Pause for a moment.

LANCE
I been in Iraq, Grandma. I been being careful like you told me to. Ain’t nothing bad happened yet. Not to me anyway. Dude in my company got blown up pretty bad.

CHRIS
You shoot anybody yet?

Lance shakes his head. Chris nods understanding.

CHRIS
Seen anybody get shot?

Lance nods.

CHRIS
Bad guys?

Lance nods.

CHRIS
Cool.

Pause.

MAMA
Boys, why don’t y’all tell Grandma about your music?

CHRIS
Oh yeah. Um, should I just tell her about it?

MAMA
Well of course. Go on.

LANCE
Go ahead, dude.

CHRIS
Grandma, you remember how me and Lance used to have a band with Trevor and them? We had to quit when Lance went off to the Marines.

LANCE
Y’all ain’t had to.

CHRIS
We ain’t had no guitar player, dummy.

LANCE
What about Lucy’s brother?

CHRIS
I don’t like that dude. I’m trying to talk to Grandma here.

LANCE
Then talk.

CHRIS
Damn. Um....what was I saying?

LANCE
The new song.

Lance grabs his guitar and starts tuning it.

CHRIS
Oh right. Um, Grandma, we been writing this new song since Lance got back a couple of days ago. We were gonna play it for you, if you want us to.

MAMA
I think she’d like that.

LANCE
You sure the doctors and them ain’t gonna mind?

MAMA
We’re paying for a private room, ain’t we?

CHRIS
You sure she can hear us?

MAMA
I don't see why not. Go on. Play your song.

Chris queues up the portable stereo. Lance is seated, guitar in his lap, ready to play.

CHRIS
Ready?

Lance nods. Chris presses play on the stereo which bursts forth with a southern-style hip-hop beat. Chris dances accordingly, Lance bobs his head and taps his foot, but he does not, I repeat, he does NOT play a note on his guitar. Mama sits and watches, seemingly pleased. 

Finally it’s lyrics time. Lance and Chris trade off back and forth.

Bitch!
    Take them panties off!
    Take them panties off!
Bitch!
    Take them panties off!
    Take them panties off!
                Take em off!
    Take them panties off!
    Take them panties off!
Bitch!
    Take them panties off!
    Take them panties off!
Bitch!
    Take them panties off!
    Take them panties off!
                Take em off!
    Take them panties off!
    Take them panties off!

This repeats for as long as necessary in order for it to go from ridiculous to just plain stupid. Somewhere during the song a nurse enters to check some vitals. She pays them absolutely no mind while she goes about her business, then exits.

The song finally ends with boy boys yelling:

    Beeeyotch!

Lance strums an A-minor chord.

CHRIS
Dumbass! E-minor!

LANCE
I like A-minor better.

CHRIS
I don't care what you like. It’s supposed to be an E.

LANCE
Says you.

CHRIS
That’s right, says me.

LANCE
I’m the guitar player.

CHRIS
You’re the dipshit.

Lance stands, chest puffed out all fighting rooster-style.

MAMA
Boys! That’s enough. It sounded very nice, whatever chord it was.

LANCE
A-minor.

MAMA
Okay, that’s probably enough for today. We should get going. We’re meeting your Aunt Louise at the Golden Corral in 30 minutes and I need to swing by the Wal-Mart for some pantyhose. Y’all kiss Grandma goodbye now.

The boys take turns kissing Grandma goodbye and telling her they love her. They exit, followed by Mama.

Grandma is once again alone on stage, and I find myself with a choice to make. Part of me wants to do something fucked up like have her heart stop, as indicated by having her heartbeat monitor go flat line, with the little beeps suddenly turning into a long continuous beep. Nurses rushing in and all that. But that seems so cliche. On the other hand, I want to do something kind of sweet like have her give a sign of life, maybe a twitch of her hand, or maybe even open her eyes, maybe even say something. But that seems cliche too. 

I seem to run into this question a lot in my writing: do the fucked up thing or the sort of sweet thing? 

In the end, what I would probably go with is to have nothing change. Just leave Grandma on stage, just as she was at the beginning, as the lights fade out. Visiting hours are over.

What'chall think?